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- Evelyn is dethroned through her own mind-altering ritual, leaving her fate ambiguous.
- Laura steps into leadership, repeating Evelyn’s methods under a nurturing mask.
- Abby escapes alone while Ila stays, highlighting the show’s theme: freedom vs. belonging.
The Fall, the Rise, and the Ritual: Wayward Season 1 Ending Explained
Netflix’s Wayward hit like a fever dream in 2025—a slow-burn, surreal descent into cult horror, psychological trauma, and spiritual rebirth. With its intoxicating blend of therapy-gone-wrong, oppressive atmosphere, and moral ambiguity, Wayward felt like Midsommar and The OA crashed into each other and left us staggering through Tall Pines.
But that finale. Whew.
Is Evelyn dead or permanently tripping? Why does Laura take over the cult she once fled from? And what are we supposed to make of the newborn being passed around like a sacred relic? Here’s your full breakdown of Wayward Season 1’s cryptic, uncomfortable, and devastating ending—and what it means for the characters still standing... and those who aren't.
Quick Recap: What Is Tall Pines, Really?
Tall Pines Academy pretends to be a progressive boarding school focused on healing trauma. But it’s no school—it’s a cult in disguise, anchored around the teachings of its enigmatic founder, Evelyn Wade (played with eerie calm by Toni Collette).
At the center of her belief system is “The Leap,” a psychedelic ritual that forces students to confront their deepest trauma using toad venom and curated memory therapy. Participants emerge emotionally shattered—or reborn. Sometimes both. Sometimes neither.
Evelyn's pitch? She’s healing people. The reality? She's dismantling them to build perfect followers.
Key Players in the Endgame
- Evelyn Wade – The manipulative, soft-spoken matriarch of Tall Pines.
- Laura – A former student who returns pregnant and conflicted.
- Alex – Laura’s partner, the outside skeptic trying to pull her back.
- Abby – A rebellious student determined to escape.
- Ila – Abby’s foil, desperate to belong—even if it costs her freedom.
By the time the final episodes hit, everything's unraveling. Evelyn’s grip is slipping. The students are questioning. And the rituals? They're getting darker.

The Fall of Evelyn Wade: Dismantled by Her Own Doctrine
Evelyn’s final Leap is a poetic kind of justice. After years of drugging others, she’s forcibly injected with her own concoction—courtesy of Rabbit, one of her disillusioned followers. What follows is one of the most visually haunting sequences of the series: Evelyn, lost in a mirrored labyrinth, slipping through doorways, each reflecting different versions of herself—the guru, the mother, the fraud, the victim.
This scene is ambiguous by design. Did she die? Is she catatonic, trapped in a permanent hallucination? Is she experiencing ego death?
It doesn’t matter.
The important part is this: Evelyn is gone. Not physically, maybe. But as a source of power and ideology, she’s undone by her own tools. She built a system that breaks people, and it finally broke her.
Laura's Rise: The New Queen of Tall Pines?
With Evelyn out of the picture, Laura steps into the void. And here’s where things get disturbing. The finale’s most talked-about scene is Laura’s childbirth. Surrounded by the remaining cult members, she gives birth—not in the arms of her partner, Alex, but in the middle of a communal ritual.
She announces, in a dazed, euphoric voice, that the baby “belongs to all of us.” The group cradles and worships the newborn. Clothing is removed. Boundaries dissolve.
To Laura, this moment represents freedom from the traditional family model that failed her. It’s rebirth through community. To Alex, it’s horrifying—a total loss of identity, intimacy, and agency. His child isn’t his anymore. He’s not even sure if Laura is.
This is Wayward’s biggest philosophical question:
Is radical love without limits liberation, or just another form of control?
The answer? It depends on whether you’re Laura or Alex.
Abby and Ila: Freedom vs. Belonging
The fates of Abby and Ila hit the emotional core of the finale.
- Abby escapes. She crosses the town's boundary and enters the outside world, choosing freedom. But it’s not triumphant—it’s quiet, uncertain, and isolating. She’s out, but she’s alone.
- Ila stays. Even after everything, she chooses to remain. And that choice is heartbreaking. She knows Tall Pines is built on lies. But she’s been abandoned so many times, even a false family feels better than no family at all.
The contrast is brutal. One girl gives up belonging to survive. The other gives up freedom to feel wanted.
There’s no perfect choice here—Wayward just wants us to sit in the discomfort of that.
Cycles of Power: Has Anything Actually Changed?
So Evelyn's gone. Laura’s in charge now. That’s good, right?
Not necessarily.
Laura frames her leadership differently—more nurturing, more communal. But visually and structurally, the show mirrors Evelyn’s style: the circle gatherings, the rituals, the whispered declarations of healing. Even her body language echoes Evelyn.
Tall Pines feels different. But the bones are the same. The system hasn’t changed—just the name on the door.
And what about Alex? He stays. Silent. Watching. His inaction in the final scene is damning. He couldn’t stop it. And now, he’s part of it.
Symbolism Deep Dive: What It All Means
1. Mirrors and Doors (Evelyn’s Final Leap)
The mirrors represent fractured identity. Evelyn walks through door after door, reliving different versions of herself, but there’s no escape. It’s a loop. A trap. It’s also a metaphor for Wayward's core message: trauma doesn’t disappear—it mutates. The system breaks people down and builds them back up in its own image.
2. The Baby Ritual
The communal acceptance of the baby plays both as utopia and nightmare. It breaks down the isolating nature of family... but also erases individual agency. In a world like Tall Pines, love without boundaries easily becomes worship. The line between community and cult dissolves completely here.
3. Belonging vs. Freedom
Abby and Ila embody the painful binary many face after trauma:
- Be alone and free
- Be loved and controlled
Neither path feels clean. That’s the point. Wayward doesn’t offer answers—it reflects back the cost of every choice.
4. Power Repeating Itself
With Laura stepping into Evelyn’s shoes, we’re left with one of the most cynical themes: power doesn’t disappear—it recycles. Even the well-intentioned become complicit when the structure is rotten.
So… What Really Happened?
If you’re looking for a “here’s what’s real and what’s not” kind of ending—Wayward isn’t that show.
Here’s what is clear:
- Evelyn is removed from power, spiritually if not physically.
- Laura assumes control, believing she’s creating something better.
- Alex fails to stop it, becoming part of the system.
- Abby escapes, but is isolated.
- Ila stays, broken but embraced.
It’s not a resolution. It’s a reset. Evelyn may be gone, but the ideology remains. The trauma persists. The rituals evolve.
Wayward ends with a question, not a statement:
Is it possible to truly dismantle a harmful system—or do we just keep painting new faces on the same monster?
A Cycle Without End
Wayward Season 1 ends the only way it could—ambiguous, haunting, and unresolved. And honestly? That’s exactly what makes it so powerful.
There are no heroes. No villains left. Just people who were hurt, trying to find peace in whatever broken way they can. Some seek escape. Some seek community. Some—like Laura—try to rebuild from the wreckage, not realizing they’re still using the same rotten bricks.
That final shot—Laura holding the baby, Alex silently watching, the others encircling them, chanting softly—isn’t a celebration. It’s a warning.
Wayward Season 1 doesn't tie things up in a neat bow—but that's the point.
It’s a show about the systems that break us, the rituals we cling to, and the false hope of clean endings in messy lives.
If there's a Season 2, expect a deeper exploration of these broken families and new forms of indoctrination. Because Tall Pines isn’t dead. It’s just changed its skin.
Stay tuned as we dive deeper into surreal horror, psychological thrillers, and endings that refuse to hold your hand—only at Land of Geek Magazine!
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